Better take too much care than too little. Just don’t forget to use a stand that’s probably too heavy-duty. Still, even if you put something as heavy as a Profoto B1X and use enough weights on the stand, it holds just fine, even on a boom. It is also perhaps better to use it with a pack and head lighting system, as opposed to a monoblock. It would probably be a good idea to use a very study stand, such as a junior stand. The rod-locking mechanism has nice action, although as with all paras, the modifier can be extremely heavy on one side. Just make sure you don't forget the two metal rods you need to build the softbox. I really can’t say anything bad about the construction of the Para. I may or may not have thrown it a few times (I have). I will be honest, when I shoot, softboxes fly all over the studio. The rods feel sturdy, the fabric thick, and the overall construction is solid. So you’d expect the Godox to lag in quality? Well, as far as that goes, the modifier is really well made. In that way, I have been spoiled by the best in the market. You may have noticed that I prefer working with high-end equipment such as Profoto and Broncolor. Until recently, I didn’t even think about having a Para, not until Godox released their Parabolic Light Focusing system. At the same time, when I have the budget and ability to rent a Para, I always do. To actually use it, you will also have to invest in a proper flash system compatible with it. Broncolor will cost you north of several thousands of dollars. It's a shame you can’t get a true parabolic modifier for a good price. Having used the Broncolor ones, I fell in love with them. I am no stranger to truly parabolic modifiers.
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